nadamusik.net – Fender Hot Rod Series Blues Junior NOS 15W 1×12 Tube Guitar Combo Amp

http://nadamusik.net/Pro-Audio-Equipment/Fender-Hot-Rod-Series-Blues-Junior-NOS-15W-Tube-Guitar-Combo-Amp

The Blues Jr. pushed through a 12″ Jensen speaker.

The Blues Jr. NOS takes Fender’s 15W gem and gives it the true vintage treatment with tweed covering and a vintage-style 12″ Jensen speaker. Its power is generated by an all-tube signal path using a pair of EL84 Groove Tube output tubes and 3 – 12AX7 preamp tubes. Add renowned Fender reverb, flexible controls, and footswitchable, FAT circuit for golden tones, and you’re in business. And just look at that chrome panel, that tweed finish with pinstripe grille cloth, and those vintage pointer knobs!

Features

• Series: Hot Rod Series
• Type: All Tube
• Output: 15 watts into 8 ohms
• Ohms: 8 ohms
• Speakers: 1-12″ Jensen C12-N 8ohm, 50 watt Speaker, p/n 0868508004
• Channels: 1 Channel
• Features: “Fat” Switch, Reverb, Footswitch Jack for Remote “Fat” on/off, Chrome Panel, Vintage Pointer Knobs, Controls, Reverb, Master, Middle, Bass, Treble, “Fat” Switch, Volume, Covering, Lacquer Tweed finish with Pinstripe Grille Cloth

 

Hot Rod Series Blues Junior NOS 15W 1×12 Tube Guitar Combo Amp Specifications:

• Weight: 31 lbs. (14.06 kg)
• 18″W x 16″H 9.18″D (45.72 cm W x 40.64 cm H x 23.31 cm D)
• Tube Complement: 3 X 12AX7, 2 X EL84
• Solid State Rectifier
• Footswitch: Uses Optional 1-Button Footswitch (420703) – 0994054000

 

Tags: Blues Junior, Hot Rod, Fender, Amp, Amplifier

nadamusik.net – Orange Amplifiers DA15H Dark Terror 15 15W Tube Guitar Amp Head

http://nadamusik.net/Pro-Audio-Equipment?product_id=1076

A tiny tube amp that produces a huge variety of tones.

Menacingly small, easily recognisable, this aggressive Orange DA15H Dark Terror 15 15W Tube Guitar Amp Head comes with a mind-blowing sound which combines the Shape control of the Thunder series with the weight and size of the monster Terror family. This Frankenstein-like amp has creepy amounts of gain on tap with disturbingly pleasurable responsiveness. It is uncompromisingly brutal, doubtless unhinged, even ferocious. The Dark Terror rises from the ethereal depths to fulfil the every desire of the Heavy Metal and Rock guitar players. With its characteristic fearless Orange Amp looks, heavy duty construction and portability, guitar players everywhere will quickly become attuned to this scary dark force of nature.

The Dark Terror is highest gain Terror amp ever. Hear its distinctive Orange Amp sound and you will feel this mysteriously attractive force pulling you into the shadow of the Dark Terror. It’s everything you want from a Black Orange Amp. Prepare to ride the Dark Terror storm.

 

Orange Amplifiers DA15H Dark Terror 15 15W Tube Guitar Amp Head Features:

• Tube driven FX loop
  High gain preamp
  Gig bag

 

Orange Amplifiers DA15H Dark Terror 15 15W Tube Guitar Amp Head Specifications:

Output: Class A Switchable between 15 and 7 watts
Valves: Preamp: 3 x 12AX7, Output: 2 x EL84, FX Loop: 1 x 12AT7
Speaker Out: (1) 16 Ohm, (2) 8 Ohm
Dimensions: (W X H X D) 30x17x14cm, 11x7x5.5in
Weight: 7kg/15lb

Tags: Orange, Amplifiers, DA15H, Dark Terror, Tube Guitar, Amp Head, Amplifier, Amp

nadamusik.net – Roll Music Systems RMS 216 Folcrom 16 Channel Passive Summing Box/Mixer

http://nadamusik.net/Pro-Audio-Equipment?product_id=1068

The Folcrom is a high quality passive mixer intended for multichannel analog summing of digital mixes. It uses no active circuitry and provides no gain or level controls. The idea is to control the level, panning, EQ, and effects sends of your mix from within the DAW, and send as many as 16 different tracks or submixes to a high quality multichannel outboard DAC which in turn feeds the Folcrom. You then perform only the summing in the analog domain. This enables you to maintain absolute repeatability from within your DAW.

Each of the Folcrom’s input channels features a balanced connection on standard 8-channel DB25 connectors and a pair of pushbutton switches to assign that channel to the Left or Right output, neither, or both. The output of the Folcrom is a stereo pair of balanced, 150-ohm signals on XLR connectors and requires approximately 30-40dB of make-up gain (program dependent). This signal is ideally suited for feeding into an outboard microphone preamp of your choosing. The Folcrom is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier. The Folcrom itself has an extremely simple, pure, and transparent signal path. The absence of faders, EQ, aux sends, pan knobs, or any other superfluous features allows for an entirely passive circuit. There are no amplifiers, ICs, transistors, capacitors, or transformers in the signal path whatsoever. The simplicity of the fully balanced, symmetrical signal path allows the use of no-compromise passive components for ultimate fidelity. The unit passes signals “from DC to daylight” without coloration. The “sound” of your mixer is up to you and your preamps. Chances are your mic preamps just sit there unused at mixdown time anyway, so why not put them to work?

By excluding the make-up gain amplifier from the Folcrom, RMS is able to provide an ultimate quality summing buss without compromise and at a price that’s less than you paid for your car. At the same time, it provides a unique opportunity for wide tonal control by allowing you to choose your flavor of make-up gain. Put those old Telefunken or RCA tube preamps to work when you want super thick warmth; or plug into your Great River MP-2NV when you need pristine clarity.

SPECIFICATIONS

• Input channels: sixteen
• Input impedance: 10k ohms balanced
• Recommended source impedance: <100 ohms
• Maximum input level: +42dB rms
• Output channels: two
• Output impedance: 150 ohms balanced
• Recommended load impedance: 1300 ohms
• Output level: -35dB nominal
• Frequency response: 0-500kHz
• Crosstalk @1kHz: -90dB
• Power requirements: none (it’s passive!)

Tags: Roll Music Systems, RMS 216, Folcrom, Mixer

nadamusik.net – FOSTEX FR-2LE Solid State memory Field Recorder 24bit/96kHz

http://nadamusik.net/Pro-Audio-Equipment/FOSTEX-FR-2LE-Solid-State-memory-Field-Recorder

With a location recording pedigree which includes the original portable timecode DAT machines (PD-2, PD-4), and more recently the innovative PD-6 DVD-RAM recorder, it was only natural that Fostex should develop the FR-2, the acclaimed professional CompactFlash-based field recorder.

And now, it seems, Fostex have done it again with the launch of the new FR-2LE – a compact audio recorder designed from the ground-up to meet the needs of professionals in the field. For a start, the FR-2LE records to CompactFlash in Broadcast WAV Format (BWF) at 24bit 96kHz quality. It’s equipped with two professional phantom powered XLR microphone inputs (XLR-phone combo) complete with precise control over the recording level.

It features a 1 take = 1 file recording system which eliminates overwrites and the 2 second ‘pre-record’ buffer means there should never be a missed take or lost soundbite. There’s even an MP3 mode and built-in stereo microphones designed for interviews.

Feature rich and elegant in operation, the pedigree of the new FR-2LE looks assured.

Long battery life
The FR-2LE can run up to 8 hours on standard off-the-shelf NiMH batteries

Extended recording times
Over 12 hours @ 16bit 44.1kHz recording on an 8GB CompactFlash card

Professional inputs
Dual XLR inputs (XLR-phone combo) with top quality microphone pre-amps, trim control and phantom power. Analog out is offered on RCA connectors

BWF or MP3 recording
Record up to 24bit 96kHz audio

Tough construction
Manufactured from high-grade materials and specifically designed for professional location recording

Fail Safe Recording
In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.

USB 2.0
The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.

Tags: FOSTEX, FR-2LE

nadamusik.net – TEAC PD-H600 High-Resolution CD Player

http://nadamusik.net/Pro-Audio-Equipment?product_id=211

PD-H600
high resolution cd player, 24bit/192khz delta sigma d/a conversion

Rigid aluminum panel and cabinet construction
Burr-Brown’s PCM1796 24-bit/192kHz delta-Sigma D.A converter
Hi-Fi quality ELNA capacitor
A master clock generator operated with a finite low noise current located independently on the circuit adjacent to DA converter to avoid jitter noise
Shunt regulator circuit to respond quickly to sudden musical surge
Toroidal core power transformer
CD tray made by the strongest synthetic material

 

Compatible Discs:	CD-DA, CD-R/RW, MP3, WMA
Frequency Response:	20Hz – 20,000Hz (�0.5dB)
Total Harmonic Distortion:	Less than 0.003% (1kHz)
Signal-to-Noise Ratio:	more than 110dB (1kHz, 0dB, A weight)
D/A Converter:	24bit/192kHz Delta-sigma (PCM1796)
Oversampling Rate:	8-times
Repeat Play	Yes (1, All)
Shuffle Play:	Yes
Programme Play:	Yes (30 Tracks)
Display:	Fluorescent Dot-matrix
Display Dimmer:	Yes (Normal, Dimmed, Off)
Audio Output:	1 RCA (Gold-plated, 2.0Vrms, 1kHz, 0dB)
Digital Output:	1 Coaxial (Gold-plated, 0.5V, 75 ohms)
Signal Ground Terminal:	1
Power Requirements:	120V, 60Hz (US), 230V, 50Hz (EUR/Asia)
Consumption Power:	9W (Standby: 0.7W)
Dimension (W x H x D)	11.4″ x 4″ x 12.1″ 290 x 102 x 308mm
Weight:	11.9 lbs. 5.4kg
Accessories:	System Remote Control, AAA Batteries x 2 RCA Cable, Power Cord, System Cable Owner’s Manual, Warranty Card

 

nadamusik.net – AKG IVM4500 In-Ear Monitor System

http://nadamusik.net/Pro-Audio-Equipment/AKG-IVM4500-In-Ear-Monitor-System

IVM4500 IEM in-ear monitoring provides higher level audio quality and radio performance without compromising reference capability, and caters to all needs of engineers. Users in the tour and installed sound markets will find the easy-to-use technology ideal for onstage monitoring. The IVM4500 IEM allows the input signal to be processed individually to meet the requirements of both the artist and the sound system environment.

Designed and developed in Austria, with the experience and skill of AKGs engineering team, the IVM4500 IEM offers a highly diversified system, which includes high-end radio electronic and a manual radio signal attenuator for more RF dynamic. Antenna diversity, with two matched antennas, and a new reference radio electronic design contribute to the stable signals of the receiver.

IVM4500 IEMs audio quality boasts a high-end and powerful headphone amplifier, ultra linear frequency response and dual mode for individual mix. The quick frequency change functions support monitor engineers throughout performances to make their projects easily adjustable. The enhanced frequency setup shows the number of free channels, and new preset groups support TV channels. The quick frequency change function supports monitor engineers throughout performances to make their projects easily adjustable.

The IVM4500 IEM includes an integrated dbx compressor, an equalizer offering a large number of EQ presets and in-ear-optimized binaural room simulations that provides musicians, vocalists and presenters with outstanding high-performance signal processing flexibility for a natural listening experience with more life-like imaging.

HiQnet – System Architect
With the optional HUB4000 Q, AKG wireless systems can be integrated into a HiQnet system. The wireless system can be remote-controlled and monitored with the Harman software System Architect (from a PC), the AKG Wireless iPhone App (from an iPhone/iPod touch/iPad) or VM2 (from a Soundcraft Vi mixing console). The setup and configuration of the frequency management of a multichannel wireless system is incredibly easy within the System Architect with tools like 1 Click Setup, RF Monitor, Device Manager and Environment Scan.

Features:

• Reference audio quality and patented audio processing
• Diversity receiver
• Unique signal processing capabilities for live applications and professional installations
• dbx compressor and limiter
• Quick frequency change for monitor engineers
• Wireless integration into a HiQnet system with optional HUB4000 Q

Specifications:

Transmitter

• Carrier frequency range:
  – Band 1: 650.1 to 680.5 MHz
  – Band 3-A: 720 to 750.5 MHz
  – Band 3-K: 740.1 to 751.9 MHz
  – Band 4: 759.5 to 789.9 MHz
  – Band 5-A: 790.1 to 819.9 MHz
  – Band 5-JA: 797.125 to 805.875 MHz Band
  – Band 5-TH: 790.1 to 805.9 MHz
  – Band 5-IL: 794.1 to 805.9 MHz
  – Band 7: 500.1 to 530.5 MHz
  – Band 8: 570.1 to 600.5 MHz
  – Band 9: 600.1 to 605.9 & 614.1 to 630.5 MHz
  – Band 9-U: 600.1 to 630.5 MHz
• Switching bandwidth: = 30.5 MHz (country dependent)
• Output Power: 10, 20, 50 and 100mW selectable (country dependent)
• Modulation: FM, MPX Stereo
  Audio bandwidth: 35 ??? 20 000 Hz (?? 3 dB)
• T.H.D.: = 0.5 %
• Audio Inputs:
  – 2 x combined XLR balanced
  – TS ??????? jack sockets unbalanced
• Audio Outputs:
  – 2 x Loop TS ??????? jack sockets unbalanced
  – 1 x Line TS ??????? jack sockets balanced
• Headphones Output: 1 x TS ??????? jack sockets balanced
• Dimensions: ?? 19 inch 1U rack, 200 mm (7.8 in.) ??? 44 mm (1.7 in.) ??? 216 mm (8.5 in.)
• Net Weight: 1070 g (2.36 lbs.)
• Standard Accessories: 1 UHF antennas, power supply, rack mount kit

Receiver

• Carrier frequency range:
  – Band 1: 650.1 to 680.5 MHz
  – Band 3-A: 720 to 750.5 MHz
  – Band 3-K: 740.1 to 751.9 MHz
  – Band 4: 759.5 to 789.9 MHz
  – Band 5-A: 790.1 to 819.9 MHz
  – Band 5-JA: 797.125 to 805.875 MHz
  – Band 5-TH: 790.1 to 805.9 MHz
  – Band 5-IL: 794.1 to 805.9 MHz
  – Band 7: 500.1 to 530.5 MHz
  – Band 8: 570.1 to 600.5 MHz
  – Band 9: 600.1 to 605.9 & 614.1 to 630.5 MHz
  – Band 9-U: 600.1 to 630.5 MHz
• Switching bandwidth: = 30.5 MHz (country dependent)
• Output Power: 10, 20, 50 and 100mW selectable (country dependent)
• Modulation: FM, MPX Stereo
• Channel separation: > 40 dB(A)
• Audio bandwidth: 35 ??? 15 000 Hz (?? 3 dB)
• T.H.D.: = 0.8 %
• SNR (A-weighted): typ. >90 dB(A)
• Audio Output: 3.5mm jack socket, 150 mW (rms)/16 Ohm
• Battery life: 6 bis 10 Stunden volume dependent, 2 Batteries AA or BP 4000
• Dimensions: 70 x 91 x 25 mm (2.8 x 3.5 x 1 in.)
• Net Weight: 165 g (0.36 lbs.)
• Patents: Remaining battery life (Patent no. AT 408.280, GB 2.349.230, US 6,344,730)

What’s In The Box:

• (1) SPR4500 IEM diversity receiver
• (1) SST4500 IEM transmitter
• (1) IP2 ear-channel headphones

Tags: AKG, IVM4500

nadamusik.net – Lexicon PCM-91 PCM91 PCM 91 Rackmount Effects Processor!

http://nadamusik.net/Pro-Audio-Equipment?product_id=255

Lexicon PCM-91 effects processor. The unit is 100% functional and in nice cosmetic condition as well.  It will come exactly as shown below in the pics so take a peek. This piece is guaranteed to be in proper working order or your money back!

nadamusik.net – Behringer S16 Digital Snake

http://nadamusik.net/Pro-Audio-Equipment/Behringer-S16-Digital-Snake

Got digital mixing? Add a digital snake.

The new S16 Digital Snake from BEHRINGER takes the burden out of connecting your FOH (Front of House) console with the band. The S16 provides 16 fully programmable, remotely controllable high-end mic preamps plus 8 analog, balanced XLR returns at the stage end, and connects to the FOH via a single CAT5 cable without the need for a dedicated router.

Any mixing board with AES50 networking capability can tap into the S16’s powerful feature set. So if you happen to work on an analog mixing board occasionally, you could use the S16 and an A/D/A convertor to form a high-performance, lightweight 16 x 16 digital snake, all on one CAT5 connection, keeping the preamp remote control functionality.

The S16’s monitoring / head amp control section allows you to select any one of the 16 inputs, 8 bus outputs or P16 output streams for immediate line checks. In addition to signal metering at the stage box, you can set individual input channel Gain, apply +48 V phantom power, plus you have the option of listening directly to the input signal via headphones and much more. Once set, all configuration settings can be locked at the console for total system security.

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as simple deployment and ease of use. KLARK TEKNIK engineers worked with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:

48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

Features

• 16 MIDAS-designed, fully programmable mic preamps
• 8 analog, servo-balanced XLR outputs
• AES50 network ports
• Up to 100 m networking capability via CAT-5e cable (not included)
• Dual AES50 ports for cascading S16 units
• Precise LED metering plus 7-segment displays
• Phones output assignable to any of the inputs/outputs
• Dual ADAT outputs
• MIDI In/Out
• USB connector for system updates via PC

 

Tags: Digital, S16, Behringer, Snake

nadamusik.net – JBL PRX635 PRX 635 1500w 3-Way Powered Speaker – Single

http://nadamusik.net/Pro-Audio-Equipment?product_id=1059

The JBL PRX635 is a self-powered lightweight PA speaker designed to provide powerful performance over a broad area. It features a 15″ Differential Drive neodymium woofer, a 6.5″ horn-loaded midrange driver, and a 1″ neodymium compression tweeter to provide full, clear audio with a wide frequency response. The drivers are powered by a set of 3 500W Class-D Crown amplifiers to provide a strong and efficient performance with low distortion.

The speaker has an XLR/TRS mic/line combo input and an XLR loop-thru connector for connecting mic and line-level devices and instruments. It also features a DSP input section with crossover, a dbx Type IV limiter circuit, component optimization, and a selectable system EQ for flat or enhanced bass performance. The speaker is constructed from plywood and has a durable Obsidian DuraFlex finish and powder-coated steel grille for a life of professional use. It also has a set of 8 M10 fly points and an M10 pull-back point for vertical or horizontal hanging, plus a standard 36mm socket for pole mounting. A large glass-filled nylon handle with an ergonomic rubber grip is also provided for convenient and comfortable transportation.

 

•  Provides high output from a lightweight design
• 15″ Differential Drive neodymium woofer, a 6.5″ horn-loaded midrange driver, and a 1.5″ neodymium compression tweeter provide full, clear audio with a wide frequency response
•  Triple 500W Class-D Crown amplifiers provide a strong and efficient performance with low distortion
•  XLR/TRS mic/line combo input and XLR loop-thru connector for connecting mic and line-level devices and instruments
•  DSP input section with crossover, dbx Type IV dynamic limiter circuit, component optimization, and a selectable system EQ for choosing a flat response for clear speech, or enhanced bass for music playback
•  Durable enclosure is constructed from plywood with an Obsidian DuraFlex finish and a powder-coated steel grille
•  Set of 8 M10 fly points and an M10 pull-back point for vertical or horizontal hanging, plus a standard 36mm socket for pole mounting
•  Large glass-filled nylon handle with an ergonomic rubber grip for comfortable transport

 Features of the JBL PRX635

 

• Maximum SPL 135 db peak
• 380 mm (15 in) Differential Drive® dual voice-coil and magnetic gap, neodymium woofer
• 165mm (6.5 in) horn loaded midrange transducer
• 25.4mm (1 in) polymer diaphragm compression driver
• 1500 Watt (3 x 500 watt) Class-D, Crown® digital amplifier
• DSP input section with dbx® Type IV limiter circuit, crossover, dynamic limiting, component optimization, selectable system EQ
• Professional XLR line and ¼” Mic/Instrument inputs, with loop through
• Obsidian DuraFlex coated plywood construction
• Large die-cast aluminum handle bar with a fine tuned ergonomic rubber grip for maximum comfort
• 8 M10 Suspension points and 1 pullback point
• Integrated 36mm pole mount socket

 

Specifications of the JBL PRX635

Active or Passive

Active

Frequency Response

Flat:
53Hz – 18kHz ±3dB
41Hz – 19kHz -10dB
Boost:
50Hz – 18kHz ±3dB
40Hz – 19kHz -10dB

Amplifier

3 x 500W Class-D Crown Amplifiers

Maximum Sound Pressure Level (SPL)

135dB

Input Impedance

20 kOhms, Balanced
10 kOhms, Unbalanced

Crossover

460Hz, 2.75kHz

Low Frequency Driver

15″ (380mm) Differential Drive Dual Voice Coil and Magnetic Gap Neodymium Woofer

Mid Frequency Driver

6.5″ (165mm) Horn-Loaded Midrange Driver

High Frequency Driver

1″ (25mm) Annular Polymer Diaphragm Neodymium Compression Tweeter

Enclosure Material

Poplar Plywood with Obsidian DuraFlex Finish and Powder-Coated Steel Grille

Connectors

1 x XLR/TRS Combo Input
1 x XLR Loop-Thru Output
1 x Power Input

Dimensions (HxWxD)

36.3 x 16.9 x 16.3″ (921 x 429 x 414mm)

Weight

60 lbs (27.2kg)

 

Tags: JBL, PRX635, PRX, Speaker

nadamusik.net – Sennheiser ew 300 IEM G3 Wireless Stereo Audio System ew-300 ew300iem ew300iemg3

http://nadamusik.net/Pro-Audio-Equipment?product_id=238

The ew 300 IEM G3 from Sennheiser is a wireless stereo audio system that provides terrific versatility in a compact package. The system consists of an SR 300 G3 transmitter and an EK 300 G3 receiver.

Both the transmitter and receiver have 1680 tunable UHF frequencies for interference-free operation. They also have a pilot tone squelch feature for eliminating interference when the transmitter is turned off.

The units can be wirelessly synced for quick setup. The transmitter offers simple menu operation with an illuminated graphic display for more control options. An Ethernet port allows you to connect to a network in order to control the transmitter with the Wireless Systems Manager software from a computer.

An auto-lock on each unit prevents accidental settings changes, while an HDX compander provides high-quality audio. An integrated 5-band graphic EQ lets you shape sound to favor audio frequencies that you prefer. A mute function silences the audio.

The receiver operates on a pair of standard AA batteries, and also has external contacts points for charging a BA 2015 rechargeable accupack battery inside the receiver. A pair of IE 4 earphones are included so you can begin monitoring immediately.

Transmitter

Rackmount metal enclosure

1680 tunable UHF frequencies with auto-scan, an enhanced bank system, and enhanced AF frequency range for interference-free operation

Pilot tone squelch eliminates RF interference when transmitter is off

Wirelessly syncs with receiver for easy setup

Ethernet connection lets you control the Wireless Systems Manager software via a network

Illuminated graphic display with user-friendly menu for simple operation

Auto-lock function prevents accidental settings changes

HDX compander for clear sound quality

Integrated 5-band graphic EQ for adjusting sound

Mute function

Receiver

Compact and rugged metal housing

1680 tunable UHF frequencies with auto-scan, an enhanced bank system, and enhanced AF frequency range for interference-free operation

Adaptive diversity technology for high-quality reception

Pilot tone squelch eliminates RF interference when transmitter is off

Wirelessly syncs with transmitter for easy setup

Illuminated graphic display with user-friendly menu for simple operation

Auto-lock function prevents accidental settings changes

HDX compander for clear sound quality

HiBoost, adjustable limiter, stereo/focus mode, and balance features

Operates on 2 AA batteries and has a 4-step battery life indicator

Has external contacts for charging a BA 2015 accupack inside the receiver

Includes a pair of IE 4 earphones